History of Women's Costume: The Crinoline Period (1850-1869)

Jahanara Akter
Lecturer, KCC Womens College,
Khulna, Bangladesh

Fig: The cage Crinoline

Historical Background: The cage crinoline, the major fashion innovation for women in the1850s. During Romantic period, women used to wear Layers of petticoat, sometimes they are use up to six Layers of petticoat. The increasing width of women’s skirts had led to the use of more and more stiffened petticoat. When the hoop skirts of the 18th century were revived to hold out these voluminous skirts, the editor of peterson’s Magazine hailed its revival in September, 1859.This skirts look like a farthingale. But at this time women started wearing farthingale again. The farthingale had changed, its name was called “crinoline”. This was made out of still. A crinoline is a light still frame work covered with fabric to distend a skirt.

Women’s Costume:
Some woman’s costumes are described in below:

1. Undergarments:

Name of costume
Pictures of dress
a. Chemise
Cotton or linen
A short sleeve, knee length garments, short and full; without much decoration. 
b. Drawers
Cotton, linen or flannel
Knee length drawers were trimmed at edges with tucking, lace or embroidery. In winter some women wore colored, flannel drawers for warmth.
c. Camisole
Cotton or linen


This waist length a garment was shaped to figure had short sleeve and buttoned down the front.
d. Corset

Women were shaped with gores of fabric and inset gussets of elastic. After the introduction of the crinoline, corset shorted, when the crinoline declined, corsets become tighter.  
e. Hoop (cage crinoline)
Steel hoops were sewn onto tapes or fabric skirt. Shapes varied with changes in the fashionable silhouette: 1850s round, 1860s flatter in front and fuller at the back.
f. Petticoats
cotton, flannel
A single petticoat decorated with lace, embroidery, or small tucks was placed over the hoop. Additional layers, flannel petticoat worn in winter.

2. Day Time Dresses:
Some woman’s day time costumes are described in below:

a. Bodice:
Fabric: Silk, wool, cotton fabric are used.

Description: Bodice shaping was often achieved through curved seams in back, darts in front. Armholes were placed low on the arm. It is attached by button or hocks.
Fig: Women´s Bodice
b. Neckline:
Fabric: Silk, wool, cotton fabric are used.

Description: Neck lines were high, without attached collars and usually finished in bias piping. Removable, washable collars (and cuff) were usually worn with daytime dresses.
c. Sleeves:
Fabric: Silk, wool, cotton fabric are used.

Description: Most common sleeve styles they were use such as: bell-shaped, pagoda shaped, double-ruffles, close sleeve, men’s coat sleeve etc.
d. Blouses :
Fabric: Silk, wool, cotton fabric are used.

Description: Separate blouses were worn with skirts. The Red Garibaldi Blouse was especially popular in the 1860s.

e. Skirts:

Fabric: Silk, wool, cotton fabric are used.

Description: In1860s skirts were pyramid shaped.
Fig: Doam and Pyramid shaped Skirt in 1860s
3. Evening Dress:
a. Neckline:
Fabric: Different types of fabric are used.

Description: Different in dresses worn for evening. In the evening time they also wore daytime dresses. Most evening dresses had “off the shoulder” neckline, either straight across or with a dip at the center.
Fig: Off The Shoulder Evening dress for women
b. Sleeve:
Fabric: Different types of fabric are used.

Description: They use short sleeve, straight sleeve and sleeveless dress.
c. Skirts:  
Fabric: Different types of fabric are used.

Description: Double skirts might have decorative effect created by looping or puffing up the outer layer. Skirts were trimmed with artificial flowers, ribbons, rosettes or lace.
Fig: Skirts were trimmed with artificial flower
4. Outdoor Garments:
Sleeve: Sleeved, fitted and unfitted coats of varying lengths.
Mantle: A cloak-like garment worn mainly by women as fashionable outerwear. Three-quarter length coat fitted to waist in front, full at the back, with long loose sleeves.
Shawl-mantle: Loose cloak, reaching almost to the skirt hem.
Pic: Shawl mantle from 1869
Talma-mantle: Full cloak with tasseled hood or flat collar.
5. Hair and Head Dress:
Hair: Women generally parted their hair in the center and drew it over the ears smoothly or in waves or plaits back of the head.
Pic: Women's hair style in 1851,1860
Head coverings: Small muslin “day caps” with long lappets or ribbons which were still worn by some older and married ladies. Hair nets, of colored silk snoods and bonnets, small hats, flat crowns continued to be worn.
Pic: Day cap or Indoor cap, 1866 and Bonnet, 1850.
Pic: Women's hat in 1867, bonnet in 1864, Snood in 1864.
6. Foot Wears:
a. Stockings: A stocking (also known as hose, especially in a historical context) is a close-fitting, variously elastic garment covering the foot and lower part of the leg. Stockings vary in color, design and transparency. These were made of cotton or silk, with white the preferred color, but colored and plaid stocking were also worn. These were made of cotton or silk, with white the preferred color, but colored and plaid stocking were also worn.
b. Shoes: For daytime square toes, low heels, rosette trimming over the toes in some styles. Evening shoes were often colored to match the gown.
c. Boots: Boots were cut to above the ankle and closed with lacing, buttons or with elastic sides.
7. Accessories:
a. Gloves: Generally gloves were short and fitted for daytime. In the 1860s gloves were long and elbow length, were worn with evening dress.
b. Cuffs: A cuff is an extra layer of fabric at the lower edge of the sleeve of a garment covering the arms. They were wide cuffs.
c. Hand carried accessories: Among the popular hand carried accessories were handkerchiefs, folding fans, small muffs, Mirror, parasol, Miser´s purse, decorative purse, etc.
Hand carried accessories
d. Jewelry: Bracelets, earrings, brooches (safetipin) and necklaces, stones, colored glass etc.
e. Cosmetics: Use of homemade Cosmetics.
Sharing Knowledge: Students, teachers and professionals can publish your article here. It is a platform to express your knowledge throughout the world. For details: Submit Article


Mazharul Islam Kiron is a textile consultant and researcher on online business promotion. He is working with one European textile machinery company as a country agent. He is also a contributor of Wikipedia.

Let's Get Connected: LinkedIn | Facebook | Google Plus

Back To Top